So finally when you hear it all, there’s something vaguely familiar about it. In talking about E.T.’s theme, Williams said “we may have had the first few notes of this emotional theme suggested early on, then three or four more notes, then finally the whole theme. It’s amazing how Williams makes composing leitmotifs seem remarkably simple. Don’t remember it off the top of your head? Don’t worry - just listen to the first few seconds of the clip below: Therein lies the rub.įor example, let’s take the The Good, the Bad, and the Ugly theme. If that was the case, then we’d never be able to associate it with character, tone, or theme. It may be helpful to regard those three characteristics as the main tenets of what a leitmotif can be used for.īut remember, a musical motif is nothing if it’s only used only once or twice. The intentional use of music as a means of communicating character, tone, or theme is a leitmotif. Wagner was the German composer who adapted the musical motif approach to the opera, but now it’s more well-known in Hollywood. Leitmotif Music Definition Leitmotifs from Wagner to Hollywood The main goal of a recurring theme is to create unforgettable music that elevates the film towards become a cinematic icon. They can be used to create suspenseful music, romantic music, or help guide the audience's emotions in whichever direction you want. So, what is a leitmotif? At its core, a leitmotif is a tool that allows artists to build continuity in their story.
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